Selected Reviews & Publications

  • A Bid for Human Rights, Adelphia Foundation Exhibition Catalogue, Los Angeles, California, 1988, (illustration of Portrait and Artifacts)
  • Arnason, H. H.; History of Modern Art with revisions by Daniel Wheeler, Harry N. Abrams, publisher, New York, 1986, pp. 658, 668, 681, (figure 1069, illustration of First and Last Bandamir)
  • ArtAgainst AIDS, exhibition catalogue, New York, New York, 1987
  • Art of the Eighties: The Collection of the Chemical Bank, exhibition catalogue, essay by Janice Oresman, Montclair, New Jersey, 1989 (illustration of Lifeline Series)
  • Artner, Allan, Susan Laufer, review, The Chicago Tribune, January 25, 1991, sec. 7, p. 53
  • Art on the Block, A Benefit Auction, Cleveland Center for Contemporary Art, Exhibition Catalogue, June 15, 1991
  • Bell, Jane; Abstract Issues, review, ART News, November, 1985 (illustration of Family Portrait)
  • Bell, Tiffany; Susan Laufer, review, Arts Magazine, November, 1984, p.2 (illustration of Mirror Image)
  • Braff, Phyllis, review, The New York Times, Weekend Section, July 2, 1995, In The Abstract, Susan Laufer; (illustration of Beacon Series)
  • Boston After Dark, Susan Laufer, review of Court Gallery exhibition, Boston Phoenix, 1984
  • Brenson, Michael; Susan Laufer, review, The New York Times, weekend section, 9/28/84
  • Brenson, Michael; 24 x 24 x 24, review, The New York Times, weekend section, 12/7/84
  • Brody, Jackie; Susan Laufer, Strata Series from Experimental Workshop, Printcollectors Newsletter,.Vol. 20, #1
  • Brody, Jackie; Susan Laufer, Before Dark Series, 1991, Printcollectors Newsletter, Vol. 22, #6, p. 212-213
  • Brunetti, John; Susan Laufer, review, New City, Chicago, February 7-13, 1991 (illustration of Ocean Cinder's Series)
  • Burkert, Robert; Prints from the Experimental Workshop, Exhibition Catalogue, University of Wisconsin Art Museum, (illustration of Strata Series)
  • Bushyeager, Peter; Abstract Issues, review, New Art Examiner, December, 1985, pp. 56-57
  • Cameron, Dan; Ground Hog Report, article, Arts Magazine, February, 1985, p. 96
  • Cohen, Ronny; Susan Laufer, review, Art Forum, December, 1984, p. 84
  • Davies Delmar, John; A Cast of Artists who Shape in Plaster; New York Newsday, June 19, 1990, part II, page 11
  • Detroit Free Press; Hill Gallery Exhibition Review, Susan Laufer, review, August 14, 1992, sec. 5D
  • Different Views Based on Common Ground, Laval University Exhibition Catalogue Gallery, Quebec City, Canada (illustration of Moroccan Series)
  • Donahue, David; Overload, exhibition catalogue, The Alternative Museum, New York, 1983, (illustration of The Spider's House)
  • Fox, Marilyn; Link to Post Modernism, Reading Eagle, Pennsylvania, June 9, 1990, p. 19 (illustration of Specimen Box)
  • Galligan, Gregory; Susan Laufer, exhibition catalogue, Germans van Eck Gallery, publisher, New York, 1990
  • Galligan, Gregory; Susan Laufer; Playing with a Paintbrush, Art International, Spring 1988
  • Galligan, Gregory; Susan Laufer; New New York Painters, Art International, Spring 1989, pp. 32-39
  • Glueck, Grace; Contemporary Triptychs, The New York Times, Art and Leisure section, Sunday, July 1, 1984
  • Greenville County Museum of Art, Exhibition catalogue; Woman, Woman, Woman.- Artists, Objects, and Icons. Curated by Martha R. Severens. 1998 (color illustration of Specimen Box, p. 45)
  • Harris, Susan; Totem, review, Arts Magazine, March, 1984
  • Henry, Gerrit; Susan Laufer at Germans van Eck, review, Art in America, January, 1985, p. 141 (illustration of Scarlet Bishop)
  • Johnson, Patricia; review of group exhibition, Davis/McClain Gallery, Houston Chronicle, 418/88, p. 1, section 2
  • Kaplan, Matthew; Susan Laufer, interview, The New York Arts Weekly, December 1982
  • Klein, Ellen Lee; 24 x 24 x 24, review, Arts Magazine, March, 1985, p. 39
  • Kohen, Helen; Galleries are in Season, Susan Laufer, article, The Miami Herald, Friday, November 8, 1985, p. 2D
  • Larson, Kay; New PaintingNew York, exhibition catalogue for traveling show, Spencer Art Museum, Lawrence, Kansas, 1988, Seattle Art Museum, University of California (illustration of Strata)
  • Larson, Kay; Art: Susan Laufer, review, New York Magazine, January 26, 1987, p. 66
  • Larson, Kay; Art: Susan Laufer, review, New York Magazine, November 9, 1987
  • Levin, Kim; Totem, review, The Village Voice, Centerfold, February 17, 1984
  • Lieberman, William and Levin, Kim; Narrative Art of the 1980s: Collection of The Metropolitan Museum of Art, (illustration of Ocean Cinders)
  • Lifton, Norma; Susan Laufer, New Art Examiner, Chicago section, June, 1986, p. 44
  • Lippard, Lucy; Totem, review, The Village Voice, February 17, 1984
  • Lipson, Karin; The Stories Painting and Sculpture Tell in the '80s, review, Newsday, Friday, August 9, 1991
  • Litt, Steven; Abstract Paintings, Concrete Feelings: Cleveland Center for Contemporary Art, review of "Recent Abstract Paintings" curated by David Rubin, The Plain Dealer, Choices, February 29, 1992
  • Madoff, Steven Henry; In the Deep of Painting: New Work by Susan Laufer, article, Arts Magazine, September, 1986, pp. 78-79 (illustrations of First and Last Bandamir and Artifacts and Origins)
  • Madoff, Steven Henry; The Return ofAbstraction, article, ARTnews, January, 1986, p. 83 (illustration of Guardians)
  • Matilsky, Barbara; Expressionist Surface: Art in Plaster, exhibition catalogue, Queens Museum of Art, 1990
  • Maxwell, Douglas, Exhibition Catalogue, Landscape, Not Landscape, Camino Real Gallery, Florida, 1994, (illustration of Shelter)
  • Maxwell, Douglas, Exhibition Catalogue, Timely and Timeless, The Aldrich Museum, Ridgefield, Conn., 1994, (illustration of Ocean Cinders Series)
  • Metaphor in Painting, review, Arts Magazine, vol. 52; no. 10, 1978
  • Metropolitan Museum of Art; Art of the '80s, exhibition catalogue, New York, New York, 1988
  • National Archives Washington, D.C., Susan Laufer, National Endowment for the Arts Recipient, Washington, D.C.
  • New Talent exhibition catalogue, Newbury Street Gallery, Boston, Massachusetts, 1976 (illustration of #3)
  • Nonn, Thomas; Variations in Matter Painting, exhibition catalogue, Kingsborough Community College, Brooklyn, Shapolsky Gallery, New York, 1987 (illustration of Bamian)
  • O'Toole, Judith; Richard Maslow Collection: Artists of the '80s, exhibition catalogue, Sardoni Art Gallery, Wilkes-Barre, Pennsylvania, 1989 (illustration of Moor)
  • Press Work - Art of Woman Printmakers, Traveling Exhibition Catalogue, Lang Communications Collection, curated by Ellen Johnson, 1991, (illustration of Pace Print Portfolio)
  • Przybilla, Carrie; Working on Paper: Contemporary American Drawings, exhibition catalogue, High Museum of Contemporary Art, Atlanta, Georgia, 1990
  • Raynor, Vivien; Susan Laufer, review, The New York Times, weekend section, Friday, November 1, 1985
  • Raynor, Vivien; Lifeforce, review, The New York Times, N.J. supplement, Friday, November 11, 1988
  • Raynor, Vivien; Totem, review, with introduction by John Russell, The New York Times, February 17, 1984
  • Raynor, Vivien; The Printed Image: The Gallery at Hastings-on-Hudson, New York, review, The New York Times, Sunday, May 31, 1992
  • Remaking Histories: Openings: Susan Laufer, Art and Antiques, April, 1987, p. 49 (illustration of Lifeline Drawing #2)
  • Rickey, Carrie; Why Women Don't Express Themselves, article, The Village Voice, October 25, 1982
  • Schiffman, Janice McGill; Recent Abstract Painting, exhibition catalogue, Freedman Gallery, Pennsylvania, 1990
  • Scalora, Sal; Susan Laufer, exhibition flyer, University of Connecticut, Atrium Gallery, October 1990 (illustration Beacon)
  • Smith, Roberta; review of Narrative Painting and Sculpture of the 1980s, Nassau County Museum of Art, The New York Times, August, 1991
  • Smithsonian Institution National Museum of American Art, A Creative Legacy: A History of the National Endowment for the Arts, Visual Artists' Fellowships Program, National Archives, Washington D.C.
  • Sofer, Ken; Susan Laufer, review, ARTnews, December, 1984, p.152 (illustration of Scarlet Bishop)
  • Styron, Tom; Just Like a Woman, exhibition catalogue, Greenville County Museum of Art, South Carolina, 1985 (illustration of Specimen Box)
  • Sullivan, Molly; Exhibition brochure, Muscarelle Museum of Art, College of William and Mary, Williamsburg, Virginia (illustration of Shelter)
  • Taylor, Sue; Laufer. Paintings Touch a Primeval Female Chord, review, Chicago Sun Times, Thursday, April 10, 1986, p. 66 (illustrations of Guardians and The Other Side)
  • Temin, Christine; Perspectives: Susan Laufer, The Boston Globe, Thursday, May 26, 1988 (illustration of Lifeline)
  • d'Uamato, Lucia; American Women Painters, 1977
  • van Wagner, Judith; Lines of Vision: Contemporary Women's Drawings, book, Hillwood Art Gallery and Blum Helman Warehouse, New York, New York, 1989 (illustration of Lifeline Series #25)
  • Vasquez, Henry; Fifty Works: Selections from the EF Hutton Collection, Exhibition Catalogue, Metropolitan Museum of Art, Coral Gables, Florida, 1986 (plate #23: illustration of Artifacts and Origins)
  • Weintraub, Linda; Contemporary Triptychs, exhibition catalogue, Bard College, New York, 1984 (illustration of Premonition and Memory)
  • Weld, Allison; Lifeforce, exhibition catalogue, Robeson Gallery, Rutgers University, Newark, New Jersey, 1988 (illustration of Lifeline Series)
  • Westfall, Stephen; Susan Laufer, review, Art in America, January 1988 (illustration of Brave Split)
  • Westfall, Stephen; article, Arts Magazine, April 1985
  • Westfall, Stephen; Susan Laufer, review, Art in America, January 1985, p. 132 (illustration of Family Album)
  • Wisneski, Kurt, Monotype/Monoprint History and Techniques, Bullbrier Press, (reproduction of Before Dark Series III #10, color, 1994)
  • Zimmer, William; Susan Laufer, exhibition catalogue, Germans van Eck Gallery, publisher, New York, 1987
  • Zimmer, William; Neo-Alchemy, review, The Paper, March, 1987, p. 40
  • Zimmer, William, review of Abstract Expressionism, An Ongoing Legacy, Hastings Gallery, Hastings-on-Hudson, New York; The New York Times, Sunday, December 11,1999